There's a winding white staircase that goes ever upward into the great unknown - each step, each turn, requiring a greater boldness and confidence than the one before. This is the journey on which we find Angel Olsen. Olsen's artistic beginnings as a collaborator shifted seamlessly to her magnificent, cryptic-to-cosmic solo work, and then she formed bands to play her songs, and her stages and audiences grew exponentially.
But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, All Mirrors, we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance. This is a record about facing yourself and learning to forgive what you see.
It is about losing empathy, trust, love for destructive people. It is about walking away from the noise and realizing that you can have solitude and peace in your own thoughts, that your thoughts alone can be just as valid, if not more. Recorded during night time sessions in a mansion on the Spanish island of Mallorca, the album is a lush, cinematic meditation on the many complex facets of love - meeting, wanting, needing, losing Ode to Joy - the 11th studio album from the pioneering Chicago rock band Wilco - will be released Oct. The album features 11 new songs written and produced by Jeff Tweedy and recorded by Wilco at the bands' own Chicago studio dubbed The Loft.
The Man, Bleachers. Shunsuke Ochiai is co-executive producer. Norman Fucking Rockwell! A Allah Las turn their collective gaze outward and toward the horizon. And this is precisely what sets LAHS apart from its predecessors -- a record inspired less by time, but by place. A sort of audio postcard to anyone who wants to listen.
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The album features 9 tracks, with an extra track exclusively on vinyl. If 'For Emma, Forever Ago was the crisp, heart-strung isolation of a northern Winter; Bon Iver the rise and whirr of burgeoning Spring; and '22, A Million', a blistering, crazy energy Summer record, i,i completes the cycle: a fall record; Autumn-colored, ruminative, steeped. The autumn of Bon Iver is a celebration of self acceptance and gratitude, bolstered by community and delivering the bounty of an infinite American music.
The sales and accolades are well-known multiple Gold albums, multiple Grammys, chart-topping collaborations and festival headlines. But even more significantly, with each release Bon Iver quietly shifts the state of modern music. From the boundaries of folk, to the rules of autotune, to production work for others, Bon Iver s fingerprint finds its way across the mainstream every time.
Here, the music and band, and themes, and creative space are bigger than ever. What happens when a nation that was born to run, and to rev engines into the wild frontier, runs into the full stop that is our current social and political climate? Rebirth takes place when everything falls apart.
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Out of lies, fractured friendships, and broken promises, clarity would be found. I had to re-approach the band.
Black Pumas has announced their highly anticipated debut album set for release on June Burton is a relative newcomer who arrived in Austin in after busking his way across the country from Los Angeles, while Quesada has a storied reputation for playing in bands like Grupo Fantasma and Brownout. Close It Quietly is a continual reframing of the known.
You know your hair. You know your room. As the lineup has solidified into the most permanent expression of full-band Frankie Cosmos, the bandmates have felt more comfortable deviating from their default instruments and contributing bigger-picture ideas to continue pushing the sound forward. We have so much latitude to experiment with the instrumental music, and this time around we really took advantage of that. Change happens in circles. The album is a collection of 15 songs and feature the hit singles " Ft.
Lost Girls is another brilliant full-length in Khan's incredible, acclaimed discography, mixing sounds she's always loved - heavy bass lines, synth arpeggios, Iranian pop beats, cascading choruses - with some of her finest songwriting to date. It's an album full of romance, a homage to Los Angeles where the album was recorded, to being a kid in the 80's, to films that touched and changed her life.
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Spanning 10 tracks, Lost Girls sees Khan dreaming up her own fully formed parallel universe, creating an off-kilter coming of age film in which gangs of marauding female bikers roam our streets, teenagers make out on car hoods and a powerful female energy casts spells and leave clues for us to follow. The women of Lost Girls are parallel to one of Khan's previous female protagonists, the tough, darkness-driven Pearl, from her lauded album Two Suns.
Within the women of Lost Girls and the character Nikki Pink, Khan unfolds elements of herself; within these songs, we do the same. There is a core element to Chelsea Wolfes musica kind of urgent spin on Americas desolation blues thats existed throughout the entirety of her career. Wolfe has always been a conduit for a powerful energy, and while she has demonstrated a capacity to channel that somber beauty into a variety of forms, her gift as a songwriter is never more apparent than when she strips her songs down to a few key components.
As a result, her solemn majesty and ominous elegance are more potent than ever on Birth of Violence. The songs stem from humble beginnings little more than Wolfes voice and her Taylor acoustic guitar. Her longtime musical collaborator Ben Chisholm recorded the songs in their own studio and helped fill them out with his modern production treatments and auxiliary flourishes from ongoing contributors Jess Gowrie drums and Ezra Buchla viola.
Every Chelsea Wolfe album introduces new unorthodox textures and approaches, and the trajectory of her creative arc has generally aimed for larger and more imposing sounds, but Birth of Violence deliberately alters that course in favor of a more intimate atmosphere. The result yields Wolfes most devastating work to date. First Taste is, as the title implies, a visceral shot of new flavor from Ty Segall.
The followup to last January's extroverted Freedom's Goblin, First Taste cross-fertilizes Ty's antisocial side think: Emotional Mugger with the wide-ranging humanism of Manipulator and the pop zazz of the aforementioned Goblin.
This means an immaculate sequence of sides with Ty playing multiple parts with and without contributions from the Freedom Band. Ty's songwriting confidence is at an apex, and he moves from style to style, evoking directions in rock, lite pop, experimental, alternative and even afrobeat! Alex Cameron's newest and most musically expansive LP, the glistening Miami Memory, takes a surprising turn. Cameron's flair for narrative and character are still on full display; yet Miami Memory's most frequent narrator is, for the first time, Cameron himself - singing with stunning candor of his three-year relationship with visual artist and actor Jemima Kirke.
Specific but never esoteric. And graphic but never offensive.
Miami Memory is the story of a couple balancing sex positivity with contemporary family values It's my gift to Jemima, a symbol to hoist on the totem of love. Cameron's dad rock funhouse of an album ultimately twists and subverts the genre: it recalls classics the white male ego has historically visited for it's regular adrenaline injection, and morphs them into a singular "stepdad" rock that largely turns it's lens away from the dads, celebrating the demise of old norms of gender and power.
In his depiction of his relationship with Kirke, Cameron reveals a striking honesty about love and sex in a time where a palpable fleetingness hangs over everything from relationships to human life on this planet - but also where constricting mores have deteriorated enough to let "family life," in all it's morphing forms, exist outside of social obligation.
With arresting straightforwardness, Cameron now sings as himself, paying tribute to sex positivity, female empowerment, family and responsibility, and, to his love, Jemima. This release represents the next phase in Solange's evolution as an artist, and is the follow up to her critically acclaimed album A Seat at the Table. The album is an exploration of origin.
It asks the question how much of ourselves do we bring with us versus leave behind in our evolution. The artist returned to Third Ward Houston to answer this. Taylor Swift brings her seventh studio new album, Lover which includes "ME! The album sees CEREMONY at the height of their creative output, as the always-evolving Rohnert Park quintet take various influences from post punk and rock to create one of the summer's most compelling and infectious records.
Let Love is the culmination of a journey. Common spent and immersed in self-care and, ultimately, catharsis. In the process, he underwent a transformation as he examined God, faith, fatherhood, community, and love. He unites with prominent forces from different eras of the culture to deliver a timeless dedication to hip-hop. As such, the record details his past and present and shines a light on a bold and bright future.
Or move through the world? Here are intimate battle cries. Here are shattered songs for the shattered survivors. That song is meant to be really heavy and dark. The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist. The band's exotic, spacious, psychedelic funk aligns with the dub treatment particularly well.
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Indeed, keen fans won't find this a surprising release. The especially eagle-eared will have caught a dub of 'Two Fish And An Elephant' playing over the credits of the track's celebrated video. Formed of Laura Lee on bass, Mark Speer on guitar, and Donald "DJ" Johnson on drums; Khruangbin's sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia.
Their debut album 'The Universe Smiles Upon You' was heavily influenced by 60's and 70's Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. Spacious, meditative, able to transport the listener to another realm. The first dub albums we listened to were records mixed by Scientist featuring the music of the Roots Radics. His unique mixing style, with the emphasis on space and texture, creates the feeling of frozen time; it was hugely influential to us as a band.
To be able to work alongside Scientist, a legend in the history of dub, is an honor.
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